Chapter 6 - The Brother Who Was Supposed to Be Dead

Her name was Nina Reyes, and her sister had been missing for eight months.
She spoke in clipped sentences, looking past my shoulder whenever anyone approached. Her sister, Elena, had accepted a job through an Orchard Foundation placement program. The promised position was in hotel accounting, with training and housing included. Instead, Elena had been moved between offices, told she owed fees she hadn't agreed to, and forbidden to contact her family.
"She called me once," Nina said. "She said the paperwork was in somebody else's name. Then a man took the phone away."
I felt sick. "Did she say where she was?"
"A warehouse near the water. I heard a bell through the phone."
The word bell rang in my memory. The dockside bells I heard in dreams. The ones I couldn't place until Saint Brigid's brought the fire back to life.
"I never met your sister," I told Nina. "I didn't send those photographs. Nathan Caldwell used my identity. I think he used hers too."
Nina studied my face, uncertain. Finally she said, "Then help me find her."
"I will do what I can."
I didn't promise to bring Elena home. Promises like that belonged to people who had never watched an important man smile while breaking one.
Mara took Nina's statement in a quiet room at the gallery, with counsel available and no photographers. Bianca supplied the name of the art dealer and agreed to preserve her foundation's records. We left before Nathan could find another way to turn the night into a spectacle.
At Rosa's house, the kitchen smelled of bread and garlic. I had only just taken off my shoes when the back door opened.
A man staggered inside with blood soaking through the side of his gray sweatshirt.
Gabriel was at his side in an instant.
"Luca."
I knew him before he looked up. The dark hair. The sharp eyes. The tired half smile that matched the voice on the phone. He was older now, his face drawn by pain, but I could see the boy in the photograph beneath the man.
"Hello, Cricket," he said.
Then his knees buckled.
Enzo helped Gabriel lower him onto the kitchen floor. Rosa called the doctor who had treated Enzo, while Mara, already on her way back from the gallery, contacted the federal agent she'd been coordinating with. Luca pressed a cloth against his ribs.
"Don't make a scene," he muttered.
"You've been shot," Gabriel said.
"Grazed. I'm a dramatic person."
I knelt beside him. "You knew me when I was eleven."
He looked at me with an expression I couldn't name. "I knew a girl who kept asking where her mother was, even while a building burned around her."
"You carried me out."
"You carried a kitten out," he replied. "I carried both of you. The kitten bit me."
A laugh broke out of me, wet and startled. In my dreams there had been a small warm weight against my chest, a mewling sound I'd always assumed was a child crying. Suddenly I remembered the kitten's white paws. I remembered Luca calling it a tiny monster as we stumbled through smoke.
The memory hurt. It was also mine.
Luca squeezed my hand once, then let go as the doctor arrived. While the wound was cleaned and dressed, he insisted on speaking to Mara and the federal agent by secure video. He had been investigating a network of fraudulent contracts and coerced labor connected to Orchard. The operation had begun with a private inquiry into his family's shipping assets, then grown into something much bigger.
"You should have told me," Gabriel said.
"I couldn't prove who was compromised," Luca answered. "Someone was leaking my movements. I stopped trusting my own phone."
"You let me think you were dead."
Luca looked away. "I know."
That was all. No joke could fix the damage between them.
Once the doctor had left, Luca asked to see the death authorization. Mara placed a copy on the table. Beneath the printed heading were my photograph and a signature that looked like mine.
"That's not a death warrant in any legal sense," Mara said. "It's an internal instruction naming you as the authorizing officer for a supposed security operation."
"An instruction someone intended to act on," Luca replied. "The people hunting me treated it as real."
He pointed to a code in the bottom corner. "Orchard uses two approval signatures for large transactions. One is the public identity, the other belongs to someone inside the operation. This paper carries Claire's name and a hidden approval code belonging to Caldwell. He wanted Gabriel to see her face and assume the rest."
"And you said she signed it," Gabriel said, voice hard.
"Because I knew the line was monitored. I needed whoever was listening to think you doubted her. I should have found a safer way."
"You should have trusted us with the truth," I said.
Luca met my eyes. "You're right. I'm sorry."
His answer disarmed me. I hadn't expected an apology from a Romano. I hadn't expected any of them to know the word.
I asked Luca what happened after he carried me from the fire. He stared down at his hands, as though the answer were written in the scars.
"You wouldn't release the kitten," he said. "A paramedic kept asking me your name. I told him I didn't know. Your mother arrived and took you to the hospital. Before she left, she asked me to forget both of you."
"Why would she say that?"
"Because Nathan was already there, speaking to the police. She saw him before I did. I remember the look on her face. I thought it was grief. Now I think it was fear."
I glanced toward the hall where Rose was sleeping. For twenty years she had carried a secret so enormous that even people who wanted to help had looked like threats.
"I used to think I invented you," I admitted. "A boy with a blue sleeve. I thought maybe my mind made him up because I wanted someone to save me."
Luca's smile disappeared. "You didn't invent me. And I didn't save everybody. But we both survived. That's worth something."
Mara asked about the forty million dollars. Luca explained that an account associated with his name had received the transfer, but he had alerted federal investigators when he found it. Access was now restricted while they traced the money. He had not requested it, and he had not spent it.
"Caldwell wanted the police looking at me instead of at his foundation," Luca said. "And he wanted Gabriel angry enough to do something reckless."
"He underestimated how angry I can be while doing paperwork," Gabriel muttered.
I almost smiled.
Then Luca spread a photograph across the table. It showed a warehouse at the lakefront, white lettering above a loading bay: HALCYON LOGISTICS.
"This is where Elena Reyes worked before her phone went silent," he said. "It's also the warehouse company that appears in your father's ledger."
My chest tightened. "My father was there?"
"He kept the accounts. He was trying to build a record of the money Caldwell moved. Vincent Romano was his business partner. They both knew too much."
"And both died in the fire," Gabriel said.
"Thomas Mercer disappeared that night," Luca corrected. "Nobody ever found a body."
A silence fell over the table.
I had spent twenty years believing my father had abandoned me. Ten minutes earlier, I'd learned he might have been murdered. Now Luca was telling me there was a third possibility, one almost too cruel to hope for.
"Are you saying he could be alive?" I asked.
Luca looked at the photograph instead of at me.
"Three weeks ago, a source contacted me from inside Halcyon. He said one of their prisoners had worked there since the old days, keeping books under another name."
"What name?"
Luca hesitated.
"Daniel Gray."
I gripped the table. My mother had once called my father Danny in a dream, then denied saying it when I woke her.
"Did you see him?"
"No. I arranged a meeting. That's when they tried to kill me."
Gabriel studied his brother. "Where is your source now?"
"Missing. Same as Elena."
I stared at the photograph until the letters blurred. Somewhere in Chicago was a building that might hold two people I had been taught to forget: a stranger's sister and my own father.
"We have to go there," I said.
Mara shook her head. "Not without warrants and a plan. If they're holding people, a careless visit could get them moved or hurt."
She was right. Again. Waiting had become the most painful kind of courage.
Luca reached into his jacket and placed a folded scrap of paper beside my hand. It was a receipt from a diner near the river. On the back, in hurried handwriting, someone had written: The girl with the blue ribbon is the only one who can identify the man in the basement.
"My source left this," Luca said.
Beneath the message was a child's drawing of a bluebird.
May you like
And underneath it, a name I hadn't seen in twenty years.
Thomas Mercer.