Chapter 10 - The Woman in My Uniform

The photograph on the fake badge was the same picture I had used for my employee identification at the Romano estate. My name was printed beneath it, along with an authorization code that would allow access to the service corridor leading to Teresa's private rooms. Someone had copied my identity to enter the house unnoticed.
“I didn't give anyone my badge,” I told Ortiz.
“I believe you,” she said. “But we have to establish where the copy came from.”
Gabriel reviewed the old badge system with investigators. The code had been issued during a software update six months earlier. At that time, Celeste had insisted on replacing several long-serving household employees with a private staffing company. One of its workers, a woman named Mara Finch, had worked only three shifts before leaving without notice.
I remembered Mara. She was close to my height, with dark hair and a habit of keeping her face turned away from the security cameras. She had asked strange questions about Teresa's schedule, then claimed she needed the answers to avoid disturbing her rest.
“Did you ever see her with Celeste?” Ortiz asked.
“Once. They spoke in the pantry. When I entered, Celeste told me to leave.”
Mara's employment paperwork listed an address that did not exist. The staffing company had been paid through one of Julian's subsidiaries. Ortiz obtained the original security footage. On the evening of Teresa's stroke, a woman in my uniform walked into the service kitchen carrying a small paper bag. Her face was obscured by the angle, but her movements matched Mara's.
For months I had replayed that evening in my head. Julian carried the silver tray to Teresa's study. I had seen him and assumed that was the moment the danger began. Now I wondered whether the danger had been placed in the kitchen before he arrived.
The investigators had evidence of a coordinated scheme, but no one could yet say exactly what Teresa had ingested. Vale's records showed suspicious prescriptions and altered billing entries; they did not establish a medically certain cause for her stroke. That distinction frustrated Matteo. He wanted a single answer, a single person to hold responsible.
“Don't let them make you careless,” I told him.
He stood at the window of his office, looking down at the harbor. “I'm tired of being careful while they threaten everyone I love.”
“Then be careful for us.”
He turned. The word love hung between us, unexpected and impossible to retrieve. I had meant his grandmother. His family. Maybe I had meant more.
He didn't reach for me. He waited.
“Emma,” he said, “I know you came here to work, not to become part of this mess. When it's over, I want you to have a choice about where you go. No job hanging over your head. No debt to me.”
“I already have a choice.”
“I know. I want to make sure you can exercise it.”
That was the first romantic thing he had said to me, though it didn't sound like romance at all.
At four in the afternoon, Ortiz held a briefing. Officers would observe Pier Nineteen, the location listed in Mercer's garage. No one from the Romano household was to approach it. The investigators suspected a planned exchange, perhaps involving Rebecca or Ledger Nine. Matteo agreed to stay away. I did too.
At seven, my mother called from my aunt's kitchen. She had been sorting through an old address book and found a photograph tucked between the pages. It showed Rebecca Hale at a birthday party, holding a little girl with red ribbons in her hair. The child's name was Mara.
“Mara Finch?” I asked.
“Mara Hale,” Mom replied. “Rebecca's daughter. She changed her last name after her parents separated.”
I sat down. “Rebecca has a daughter?”
“She didn't want people knowing. Arthur Cross helped Rebecca leave her husband when Mara was little. She always feared someone would use the child against her.”
The connections snapped into place. Mara wasn't just a hired impersonator. She was Rebecca's daughter, someone Julian could control by threatening her mother. I called Ortiz immediately.
“Then Mara may be another witness,” Ortiz said. “And she may be in danger.”
At eight thirty, officers observed a van arriving at Pier Nineteen. A woman stepped out carrying a black case. Another figure waited near the water. The police moved in when the second person tried to force the woman into the van. Two suspects were detained. The woman was Mara Finch.
Rebecca wasn't there.
Mara asked for a lawyer, then told investigators she would speak about her mother if they could protect her. Ortiz called us from the station after midnight with the first verified details.
Mara admitted she had copied my badge and entered the Romano house. She said Mercer had told her she was retrieving documents, not harming Teresa. When she discovered that Vale had provided a substance to be added to Teresa's tea, she refused to participate further. Mercer threatened Rebecca, and Mara continued to help with surveillance. Ortiz made no promises about charges, but she arranged for Mara to receive legal counsel and for the threats against her to be investigated.
“Did Mara see who put it in the tea?” I asked.
“She says Mercer did,” Ortiz replied. “And that Julian was present when he prepared the cup. We need corroboration.”
“Where is Rebecca?”
“Mara believes she's being held at an old caretaker's house north of the city. We're working on the location now.”
I told Matteo. He sat beside Teresa's hospital bed, holding her hand. When he repeated the news, she closed her eyes and let out a long breath. She had been carrying the memory of that night alone for eighteen months. Now there were witnesses who might finally help her tell it.
The following morning, police located Rebecca alive in a locked cottage outside Gloucester. She was dehydrated and frightened but able to speak. Her first request was to see her daughter. Her second was to speak with Ortiz about Ledger Nine.
Rebecca had never possessed the entire ledger. She had taken photographs of several pages before Arthur died and had hidden them with the medical records in the chapel. The pages listed payments made to officials, clinic employees, and men associated with Bellini's old organization. One entry included a name I recognized: Vittorio Romano.
Matteo read the copy Ortiz allowed Nora to review. His father had authorized payments connected to a campaign of intimidation against Arthur. There was no proof in those pages that Vittorio ordered Arthur's death, but the evidence contradicted the family's official story that Arthur had simply walked away.
“I can't defend him,” Matteo said.
“You don't have to,” I replied.
He looked at Teresa. “But I have to decide what to do with the company he left me.”
Nora had already begun preparing an independent audit and a plan to separate legitimate waterfront operations from any remaining criminal interests. It would be expensive, public, and humiliating. Matteo told her to proceed.
By evening, the police had issued warrants related to the fraud scheme and Rebecca's unlawful confinement. Vale remained missing. Celeste's lawyers denied her involvement in the tea incident, though investigators had obtained messages tying her to Mercer's hiring. Julian's cooperation was uncertain. Every answer seemed to open another door.
I thought the worst of the day was behind us until Teresa asked me to retrieve a small envelope from her handbag. Inside was a key and a handwritten note dated the day before her stroke. The handwriting was hers, steady and unmistakable.
IF SOMETHING HAPPENS TO ME, OPEN THE LOCKER UNDER THE OLD FERRY TERMINAL. TELL MATTEO THE TRUTH ABOUT HIS MOTHER.
I read the note twice. Matteo's mother, Lucia Romano, had died in a car accident when he was fourteen. He rarely spoke about her, and I had never seen her name in any of the files about Arthur Cross.
Teresa watched my face. She had saved this secret through a stroke, a stolen voice, and a campaign to take her property. She knew exactly what the note meant.
“Is Lucia's death connected to Ledger Nine?” I asked.
Teresa pointed to YES.
Matteo reached for the envelope. His hand trembled when he saw his mother's name.
Then Teresa spelled the words that would lead us into the most dangerous part of the Romano family's history.
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SHE DID NOT DIE IN THAT CAR.
TITLE: THE MAFIA BOSS'S GRANDMOTHER SPELLED ONE WORD AT HIS ENGAGEMENT DINNER—THEN EXPOSED THE WOMAN WHO TRIED TO KILL HER